If you’re a photography enthusiast, you’ll undoubtedly want one of the best cameras in order to capture the most detailed, beautiful images possible. Whether you’re just starting out or you’re a professional, this guide should provide you with some inspiration for your next big purchase.
The cameras here have all been thoroughly tested and reviewed by our in-house experts, and we are recommending them based on their functionality, image quality, ease of use and, of course, price point. You’ll find cameras to suit all budgets, so whether you’re watching the purse strings or looking to splash the cash on the best you can buy, you’ll find something to suit.
Whether you’re shooting wildlife photography, astrophotography or something else, these cameras will do a fantastic job. You’ll find specific suggestions below, though many of these models are all-around performers.
Best cameras: Quick list
Best overall
Best overall
The Nikon Z8 is an absolute powerhouse, with all the bells and whistles of a flagship camera — in a smaller body and with a smaller price tag.
Best resolution
Best resolution
This 61 MP camera is capable of capturing incredible detail, and it has outstanding autofocus and video capabilities, too.
Best for astro
Best for astrophotography
The Sony A7 IV is an outstanding camera in almost all fields, but it excels at astrophotography thanks to its excellent high ISO performance.
Best for travel
Best for travel
This lightweight and versatile camera is perfect for traveling with, and delivers fantastic results to boot.
Best Micro Four Thirds
Best Micro Four Thirds
It may have a smaller sensor but this MFT camera has enough power to rival even the best full-frame cameras, thanks to a range of impressive features.
The best cameras you can buy in 2025
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Best overall
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Buy it if:
✅ You want high resolution: The 45 MP sensor here will capture stunning details with nothing spared.
✅ You shoot video as well as stills: The 8K video capabilities here are fantastic, and there are no recording limits either.
Don’t buy it if:
❌ You’re a beginner: While it’s easy to learn, the features of the Z8 are likely overkill for beginner or amateur photographers.
❌ You want something lightweight: The Z8 might be smaller than its Z9 sibling, but it’s still a large, heavy camera.
The bottom line:
🔎 Nikon Z8: This absolute powerhouse of a camera rivals its big sibling, the Z9, in a smaller and less expensive body. It’s still both big and expensive, but for professionals, this is a groundbreaking camera that’s more than capable of practically all types of photography. ★★★★½
We absolutely love the Nikon Z8, and think it’s the best camera on the market. Sure, it might be overkill for beginners, but for experienced photographers, this camera can shoot just about anything with gusto. It’s hard to beat.
The Z8 is a beautifully designed camera that fits perfectly in the hand. In our Nikon Z8 review, we praised how comfortable it is to use. The buttons are perfectly placed and even if you’re brand new to Nikon, you’ll quickly learn your way around.
While the Z8 is more lightweight than some of Nikon’s other flagship cameras, it’s still not exactly compact. It’s a whole 15 oz (430 g) lighter than the Z9, and is roughly 30% smaller overall — but it’s 7.2 oz (205 g) heavier than the Z7 II. Not a drastic amount, but if you’re shooting for a long time, you’ll notice the extra weight. We do think that extra heft is worth it, though.
The Nikon Z8 has superb noise handling even at high ISO, which is one of the reasons we think this camera is a great choice for astrophotography. But that excellent low-light performance has many other uses too, and gives you much more versatility for shooting with natural light.
The ISO can be pushed all the way up to 102,400, in fact. Of course, right at the upper end you’re going to notice noise, but you’ll certainly get clean, detailed images right up into that higher bracket. Plus, the illuminated buttons and night vision mode make this camera one of the best astrophotography cameras you can buy.
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We were also very impressed with the autofocus performance of the Z8. It reliably finds and follows the subjects you want to focus on, which is particularly useful when shooting moving targets like birds and other wildlife. In fact, a recent firmware update (2.0) has added a dedicated bird mode, making capturing birds in flight even easier than before — another reason why it’s one of the best cameras for wildlife photography.
There are some curious choices on the Z8, such as its four-way tilting screen — a fully-articulating screen would have been better. And as good as the autofocus can be, it’s not 100% failproof and we’ve noticed it can be a little jumpy in some situations.
But generally speaking, these are very small niggles, and everything else the Z8 is capable of far outweighs these issues. It’s fantastic at shooting both stills and video, with video capabilities going all the way up to 8K 30p (or 4K 60p), and if burst shooting is your thing, you can get up to 120fps here (albeit at a reduced resolution of 11 MP). For astrophotographers, you’ll find handy features like night vision mode, which dims the rear screen and displays red pixels, and buttons on the back of the camera that illuminate so you can see what you’re doing in the dark.
|
Attributes |
Notes |
|---|---|
|
Design |
Well built camera that fits perfectly in the hands. |
|
Performance |
Fantastic high ISO performance, great autofocus. |
|
Functionality |
Excellent at both video and stills, useful astrophotography features. |
Best resolution
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Buy it if:
✅ You want max megapixels: You won’t find many cameras beating out the A7R V’s whopping 61 MP.
✅ You rely on autofocus: The AI-powered autofocus here is second-to-none.
Don’t buy it if:
❌ You want a fast burst mode: Offering a maximum of 10fps, this is a little overwhelming. Consider the Nikon Z8 instead.
❌ You want to shoot in low light: This isn’t the best choice for astro, because of the amount of noise the 61 MP sensor will introduce. Look at the Sony A7 IV instead.
The bottom line:
🔎 Sony A7R V: As long as you don’t need super-fast burst shooting or impeccable ISO performance, this is a fantastic camera. That 61 MP sensor is capable of capturing stunning detail that’s hard to beat. ★★★★½
As we said in our Sony A7R V review, this camera isn’t perfect — but it isn’t far off. It introduces many worthwhile updates on the A7R IV, including a new processor, better image stabilization, new AI-powered autofocus (which is fantastic) and built-in focus bracketing, amongst other things. It’s capable of doing just about any type of photography, although there may be better options if you specialize in one particular area.
The fully-articulating screen here is a real boon: Most older Sony cameras have a tilt-only screen and this makes a real difference. It’s incredibly comfortable to hold in the hand thanks to an ergonomic shape, and even though it’s slightly heavy at 1.59 pounds (720 g) you’ll be able to hold it up to your face for extended periods of shooting.
We found the menu systems perfectly fine to get around, although if you’re new to Sony, it might take a little while to learn what everything does.
Obviously, the main selling point of the A7R V is its huge resolution. Its 61 MP sensor is capable of capturing incredibly detailed images: Colors pop, images are sharp and the photos we’ve captured with this camera are nothing short of beautiful. However, that huge sensor comes with a couple of caveats: Your files will be huge, and if you’re shooting in low-light situations, you’ll find more noise added at higher ISOs. That might put off some astrophotographers.
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We think the autofocus of the A7R V is unbeatable. It employs Sony’s AI technology, which makes it capable of tracking a subject and even predicting its movements — it’s even capable of tracking eyes when your subject isn’t looking at the camera, and it works phenomenally. For wildlife photographers, this is something very special.
The burst rate of the Sony A7R V lets it down somewhat. Capped at 10fps (or 7fps if you shoot in RAW) it’s on the low side, so if you need to capture photographs in very quick succession, you might want to choose something else.
The battery life is pretty decent too, considering how many bells and whistles the camera has to contend with. Sony’s paperwork claims it can shoot 530 shots using the LCD screen or 440 shots with the EVF, but we managed to get more than 1,200 images over two days on a single charge.
|
Attributes |
Notes |
|---|---|
|
Design |
Fully-articulating screen, ergonomic design. |
|
Performance |
Incredible autofocus, 61 MP sensor capable of capturing incredible details. |
|
Functionality |
Burst speed is limited, good battery life. |
Best for beginners
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Buy it if:
✅ You’re a hobbyist: If you’re a hobbyist who won’t need IBIS or weather sealing, it’s a great camera.
✅ You want a little travel camera: Its small size is ideal for capturing decent images on your travels.
Don’t buy it if:
❌ You want in-body image stabilization: If you plan on shooting video, the lack of IBIS could be a dealbreaker.
❌ You want more grip: It seems to be too big to pocket, but too small to get a good grip on it.
The bottom line:
🔎 Fujifilm X-T30 II: A fantastic camera for beginners who want to do general day-to-day shooting as well as landscapes and street photography, although it’s not the best for wildlife or astro. ★★★★
For beginners who want to dive into photography with a camera that’s both powerful and approachable, the Fujifilm X-T30 II is a fantastic choice. It combines intuitive controls with impressive image quality, making it an ideal stepping stone for those ready to make the jump from their smartphone or point-and-shoot camera.
For a beginner camera, the 26.1 MP sensor produces professional-level image quality in a compact and lightweight body with a user-friendly design. It includes fully automatic modes and smart scene recognition if you’re just starting out, while also offering traditional dials for shutter speed, exposure compensation and mode selection once you’re ready to adjust your settings manually.
The X-T30 II offers fast, reliable autofocus with face and eye detection for humans but not animals, so it wouldn’t be the best choice if you were looking to get into wildlife photography. That said, it can shoot up to 30fps with a 1.25 crop, and up to 20fps uncropped, so it’ll easily capture fast-moving scenes. There is, however, no in-body image stabilization. This won’t be much of an issue if you’re using an image stabilized lens, but the lack of IBIS would make shooting video quite irritating.
It’s better suited to more general styles of photography like landscapes, street photography and other day-to-day shooting. It can get very basic astro shots of the moon, for example, but it’s not the best option for low-light shooting, so aspiring astrophotographers will want to go for one of the best beginner cameras for astrophotography.
|
Attributes |
Notes |
|---|---|
|
Design |
Small and lightweight, but has a shallow grip. |
|
Performance |
Not the best in low light, but great for general shooting. |
|
Functionality |
No IBIS or weather sealing. |
Best for astrophotography
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Buy it if:
✅ You want flexibility: The A7 IV is capable of pretty much all kinds of photography, so if you’re a bit of a jack-of-all-trades, this is a great choice.
✅ You want fantastic low-light performance: The A7 IV can handle high ISO levels very well, making it ideal for astrophotography.
Don’t buy it if:
❌ You mainly shoot video: Only capable of shooting 40K 60fps when the image is cropped, this isn’t a great choice for videographers. Take a look at the Nikon Z8, which can shoot up to 8K, or 120fps at 4K.S
❌ You want the very latest kit: The A7 IV was released almost four years ago, so there are newer cameras available. An A7 V is anticipated, but we don’t know when.
The bottom line:
🔎 Sony A7 IV: One of Sony’s flagship cameras, this is a jack-of-all-trades, capable of shooting just about anything. Its fantastic ISO performance makes it an ideal candidate for astrophotography, although it’ll perform valiantly in practically any field. ★★★★½
It may be coming up to four years old, but the Sony A7 IV is still a powerhouse that is barely showing its age. It’s vastly improved from its predecessor, the A7 III, which was seen as the best in class before this new iteration came along. Now, it has to compete with the incredible Sony A1 and the A7R V, which you’ll find higher up this list, but it’s still a fantastic camera with unrivaled astrophotography capabilities.
Design: It took Sony a long time to catch up with the crowd but it finally sees fully-articulating touchscreens as a must-have on its cameras, and the A7 IV was one of the first models to get one. It makes a huge difference, particularly when shooting the night sky as it allows you to get creative angles while still being able to see your screen.
We love how customizable the buttons on the back of the camera are. You can program two buttons and four wheels, allowing you to have your most-used settings and options right at your fingertips. Generally, this is a wonderful camera to use: It’s a little on the heavy side, but it fits nicely in the hand and, as we said in our Sony A7 IV review, we never felt at risk of dropping it with our hands on the grip.
Performance: With ISO going all the way up to 204,800, you’ve got a huge amount of flexibility with the A7 IV. Realistically, you’re never going to need it that high, but we were able to shoot up to ISO 12,800 before noise became even slightly distracting. For astro, then, this is a great choice: the low light handling here is second to none, and we were able to capture some beautiful images in poor lighting conditions.
Also second to none is the camera’s dynamic range, and its autofocus. While it doesn’t boast the AI-powered autofocus of the A7R V, it’s still fast and reliable: It rarely let us down but sometimes faltered when it came to focusing on eyes during portrait shoots.
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Functionality: While we think the Sony A7 IV is fantastic for shooting stills, it isn’t the best on the market for shooting video. If you only occasionally film a video, you’ll find it more than capable, but if videography is your main medium you might find the A7 IV to be a bit of a letdown. It can shoot up to 4K 60fps, but the image is cropped. For uncropped content, you’ll need to lower your frames per second to 30, which could be a dealbreaker for some.
In terms of astrophotography functionality, though, we love a special feature buried in the camera called Bright Monitoring. It means you can see your composed image on the screen/viewfinder even in dark locations. The image quality isn’t the best but being able to see your composition is seriously useful.
|
Attributes |
Notes |
|---|---|
|
Design |
Customizable buttons and dials, ergonomic grip. |
|
Performance |
Unrivaled low-light performance, excellent autofocus. |
|
Functionality |
Video is decent but beaten by newer cameras. |
Best for wildlife
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Buy it if:
✅ You prioritize wildlife: The 30fps burst rate and exceptional autofocus are a cheat code for wildlife.
✅ You’re a professional: The R5 II will be overkill for hobbyists and beginners.
Don’t buy it if:
❌ You’re a beginner: It’s too expensive and will be overkill for beginners.
❌ You want something travel-friendly: Travelers who want a point-and-shoot will want something smaller.
The bottom line:
🔎 Canon EOS R5 II: An absolute monster for wildlife photography. It’s fast, accurate and makes easy work of pretty much anything you point it at. ★★★★½
The Canon EOS R5 II elevates wildlife photography with blistering speed, glue-like autofocus and beautiful image quality. Building on the success of the original R5, it features a newly enhanced back-illuminated stacked sensor and faster burst shooting with speeds of up to 30fps blackout-free RAW images… which is perfect for photographing wildlife.
Not only that, but the R5 II is now equipped with Eye Control AF, which was previously only seen in the flagship Canon EOS R3 (it’s also now in the new R1). Essentially, this means that the camera can detect your eye movement through the viewfinder and focus on whatever part of the image you are looking at, which is pretty cool. What’s more, Pre-Capture will start recording images half a second before the shutter is fully pressed, ensuring you never miss the shot.
Even if Eye Control AF isn’t your thing and you’d rather let the camera take the wheel, it still has an incredibly impressive autofocus system. When we reviewed the original Canon EOS R5, there wasn’t a single animal we photographed that it struggled with.
Wildlife photography aside, it’s an absolute weapon for pretty much any style of photography you could possibly want, so if you want to invest in a camera that’ll last you for years to come, the Canon EOS R5 II is the one. Plus, it seems they have also addressed the well-known video overheating issues of the original R5 — but that’s something we’ll be testing when we review the Canon EOS R5 II very soon.
|
Attributes |
Notes |
|---|---|
|
Design |
Power switch now in a much nicer location. |
|
Performance |
Superb performance for wildlife photography. |
|
Functionality |
30fps RAW, 8K 60p video and 45 MP images. |
Best budget
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Buy it if:
✅ You want full frame: This is Canon’s most affordable full-frame body.
✅ You want to use it for travel: It’s small and lightweight form make it ideal for keeping the weight down in your camera bag.
Don’t buy it if:
❌ You want image stabilization: The RP doesn’t have IBIS so you’d need to rely on stabilized lenses.
❌ You want to photograph wildlife: Its slow 5fps burst rate isn’t the best for wildlife photography.
The bottom line:
🔎 Canon EOS RP: A compact, affordable full frame camera that’s ideal for anyone wanting to travel, grow their skills or just keep things cheap.★★★★
For those looking to step into the world of full frame photography without breaking the bank, the Canon EOS RP is a standout option. Although full frame is often associated with the pros, its price point and compact form make it ideal for hobbyists, content creators and travel photography where you need all the space you can get.
Despite its entry-level pricing, the 26.2 MP sensor produces beautiful image quality and provides good low light performance. It doesn’t offer a particularly high burst rate — max 5fps — which means that anyone seeking the best camera for wildlife photography should look elsewhere. Still, it can shoot 4K video (albeit with a crop) and has a fully articulating touchscreen.
While it lacks image stabilization and isn’t as fully weather-sealed as the more expensive models, its intuitive controls and user-friendly interface make it especially appealing to those transitioning from their smartphone or compact camera. Plus, omitting those particular features helps to keep things affordable.
|
Attributes |
Notes |
|---|---|
|
Design |
Canon’s second-lightest full-frame camera. |
|
Performance |
Fantastic as an entry-level full frame. |
|
Functionality |
Lacks IBIS, and the slow burst rate won’t suit wildlife photography. |
Best for travel
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Buy it if:
✅ You want a lightweight camera: It’s Canon’s lightest full frame camera.
✅ You’re a beginner: It’s easy to use and very beginner-friendly.
Don’t buy it if:
❌ You want image stabilization: The Canon EOS R8 doesn’t have IBIS.
❌ You’re a keen astrophotographer: While it produces nice astro shots, it’s not the most intuitive for dedicated astrophotography.
The bottom line:
🔎 Canon EOS R8: A lightweight camera ideal for travel and surprisingly capable. It has a fast burst rate for wildlife and fast moving action, and we got some great astro shots with it, too. A great pick for beginners. ★★★★½
The main USP of the Canon EOS R8 (aside from the fact that it’s a really great camera) is its small size and light weight. Weighing just 1.01 lbs (461 g), it’s Canon’s lightest full-frame camera to date, making it ideal for traveling where space is a premium. And during our full Canon EOS R8 review, we found it comfortable to wear around our neck all day long.
Not only does it tick all the boxes for travel photographers, but its user-friendly layout makes it one of the best beginner cameras, or for anyone wanting to make the jump into full frame from either their smartphone or a less powerful APS-C model. We’d have liked to have three dials on the body to adjust shutter speed, aperture and ISO independently, but it’s easy to dive into a quick menu using the set button on the back of the body when you want to see all the most used modes and settings at a glance.
It has an impressive burst speed, too. At a whopping 40fps for JPEG files and 30fps for RAW images, it outdoes a lot of the more expensive models in this regard, although it’s not surprising that 24.2 MP images will be faster to capture than 45 MP images, for example. Still, we think it’s one of the best cameras for wildlife photography for beginners.
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Not only that, but it’s pretty good for beginner astrophotography, too! It’s not the most intuitive due to there only being two dials on the body, as we mentioned above, but we got some really decent astro images out of it during our review, so it’s certainly worth considering if you want to shoot astro alongside other genres.
|
Attributes |
Notes |
|---|---|
|
Design |
Small and lightweight. |
|
Performance |
A great all-rounder for multiple styles. |
|
Functionality |
Easy to use and beginner friendly. |
Best Micro Four Thirds
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Buy it if:
✅ You’re not bothered about sensor size: If you don’t mind going smaller, you can save on size and money.
✅ You want a very capable and versatile camera: And who doesn’t want that?
Don’t buy it if:
❌ You do a lot of low-light shooting: If you shoot in low light while needing a fast shutter speed, you’ll get noisy images.
❌ You already own the OM-1: There likely aren’t enough worthwhile upgrades to consider switching.
The bottom line:
🔎 OM System OM-1 Mark II: A small but powerful MFT camera that packs a punch despite its small sensor. We loved it for astrophotography and wildlife photography, and were impressed by its performance. ★★★★½
We were very pleasantly surprised by the small but mighty OM System OM-1 Mark II when we reviewed it. It may only be a 20.4 MP Micro Four Thirds sensor, but don’t let that put you off, as it can produce some fantastically sharp, clean and detailed images that rival the big hitters.
When it comes to astrophotography, specifically beginner astrophotography, it has a couple of very exciting features. One of the trickiest aspects of astrophotography to get to grips with is nailing the manual focus on the stars, but with Starry Sky AF, they (somehow) come out perfectly every time — even in urban areas. Secondly, Live Composite enables you to capture star trails in a single image while monitoring your progress in real-time on the LCD screen, eliminating the need to stack hundreds of frames together manually.
It let us down slightly, however, when we were shooting low-light scenes that didn’t allow for a slow shutter speed — for example, when photographing a pair of nonchalant indoor cats. The images were noticeably noisy from ISO 3,200 — although they’re easily fixable in Lightroom.
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Subject detection and autofocus both work efficiently and effectively, and we even found that the camera handled multiple faces in the frame at once pretty well. We’d like there to be a dedicated Insect Mode for wildlife and macro photography, but we found that the Bird and Animal modes worked well when we were photographing dragonflies.
Speaking of wildlife photography, the OM-1 Mark II is capable of a startling 120fps burst rate. That’s impressive on paper, but we doubt anyone will actually make use of it, purely due to the amount of images you’d then have to sort through to find the one you actually wanted.
|
Attributes |
Notes |
|---|---|
|
Design |
We found some buttons hard to use in the dark. |
|
Performance |
We were pleasantly surprised. |
|
Functionality |
Has loads of clever features. |
Best APS-C
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Buy it if:
✅ You want to photograph wildlife: It’s fantastic for wildlife photography on a budget.
✅ You need a fast burst rate: 30fps is impressive by any standards, but especially so for a crop sensor camera.
Don’t buy it if:
❌ You want to shoot wide: While there are some wide kit lenses available, the 1.6x crop will make it challenging.
❌ You want to use fast cards: It settles for standard SD cards.
The bottom line:
🔎 Canon EOS R7: A crop sensor sensation for aspiring wildlife photographers who don’t have the budget for the pro models. ★★★★★
If you can’t quite stretch to the Canon EOS R5 II, the Canon EOS R7 is a little crop sensor powerhouse that is surprisingly capable at wildlife photography. We awarded it a rare 5/5 stars in our full Canon EOS R7 review, praising its phenomenal autofocus with the best subject tracking in the business.
Canon doesn’t have the biggest lineup of APS-C lenses, which can be a factor in choosing between crop sensor and full frame, but specifically if you’re photographing wildlife, the 1.6x crop factor can actually be an advantage as it’ll give further reach out of your lens. The 30fps burst rate rattles off stunning 32.5 MP images like nobody’s business, although we did find that the shallow buffer depth of 46 RAWs or 184 JPEGs meant that you can’t sustain those bursts for too long.
Still, such a fast burst speed is rare for an APS-C camera, as is the fact that it has in-body image stabilization — especially considering the full frame Canon EOS R8 doesn’t.
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|
Attributes |
Notes |
|---|---|
|
Design |
Small and compact. |
|
Performance |
Excellent for wildlife photography with advantageous 1.6x crop. |
|
Functionality |
30fps burst rate. |
Best DSLR
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Buy it if:
✅ You have F-mount lenses: If you already own DSLR-compatible lenses, it makes sense to stick to a DSLR body.
✅ You need long battery life: DSLRs typically have a much longer battery life than mirrorless.
Don’t buy it if:
❌ You want the newest tech: If you want more tech, you’ll have to go mirrorless.
❌ You want something futureproof: DSLR bodies and lenses are largely not in production any more.
The bottom line:
🔎 Nikon D850: The best DSLR ever made, in our opinion. It’s an absolute monster in terms of both speed and resolution, and it’s still worth buying even today. ★★★★½
Even though mirrorless cameras are now much more ubiquitous in the market than DSLRs, there are still some DSLR cameras that are worth buying in 2025 — the Nikon D850 being one of them.
In our full Nikon D850 review, we called it the best DSLR ever made, and we still stand by that. The 45.7 MP sensor produces pin-sharp images and it even has uncropped 4K video shooting, which is impressive for an older DSLR.
It has a maximum burst rate of 9fps with an added grip and 7fps without. That might seem underwhelming compared to many newer models, but given the fact that it’s a DSLR and is rattling off 45.7 MP images, we think that’s impressive. Plus, it even has fully electronic silent shooting — a very tempting option for wildlife photographers.
Another advantage of DSLRs is the significantly longer battery life compared to mirrorless. We were able to get almost 2,000 shots out of the Nikon D850, so you won’t need to worry about your camera running out of juice while out in the field.
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|
Attributes |
Notes |
|---|---|
|
Design |
Fantastic build quality, and illuminated buttons to aid astro. |
|
Performance |
Up to 9fps burst rate with long battery life. |
|
Functionality |
Detailed 45.7 MP images. |
Best cameras: Comparison table
|
Camera |
Sensor size |
Resolution |
ISO range |
Autofocus detection range |
Image stabilization |
Max video resolution |
Weight |
|---|---|---|---|---|---|---|---|
|
Nikon Z8 |
Full frame |
45.7 MP |
64-25,600 |
-9EV |
Yes, 5.5 stops |
8K 60p/4K 120p |
2.01 lbs (910 g) |
|
Sony A7R V |
Full frame |
61 MP |
100-32,000 |
-4 to +20EV |
Yes, 8 stops |
8K 25p |
1.59 lbs (723 g) |
|
Fujifilm X-T30 II |
APS-C |
26.1 MP |
80-51,200 |
-7EV |
No |
4K 30fps |
0.84 lbs (383 g) |
|
Sony A7 IV |
Full frame |
33 MP |
100-51,200 |
-4EV |
Yes, 5.5 stops |
4K 60p (cropped) |
1.45 lbs (659 g) |
|
Canon EOS R5 Mark II |
Full frame |
45 MP |
100-51,200 |
-7.5 to 21EV |
Yes (up to 8.5 stops) |
8K 60p |
1 lb 10 oz (742 g) |
|
Canon EOS RP |
Full frame |
26.2 MP |
100-40,000 |
-5 to 18EV |
No |
4K |
17.1 oz (485 g) |
|
Canon EOS R8 |
Full frame |
24.2 MP |
100-102,400 |
-6.5EV |
Only in video |
4K 60p |
1.01 lbs (461 g) |
|
OM System OM-1 Mark II |
Micro Four Thirds |
20.4 MP |
80-102,400 |
-8 to +19EV |
Yes, 8.5 stops |
4K 60p |
1.32 lbs (599 g) |
|
Canon EOS R7 |
APS-C |
32.5 MP |
100-32,000 |
-5 to 20 EV |
6 stops in-body / 8 stops with IS lens |
4K 60p / Full HD 120p |
1.35 lbs (612 g) |
|
Nikon D850 |
Full frame |
45.7 MP |
64-25,600 |
-4EV |
No |
4K 30p |
2.22 lbs (1,006 g) |
Contributing experts & product testers
Our product testers:
Jase Parnell-Brookes
Jase has spent the last two decades studying and working in photography and publishing in multiple areas, and specializes in low-light optics and camera systems.
Jase has reviewed the Canon EOS R8 in this guide.
Kimberley Lane
Kimberley has loved taking photos ever since she got her first cameraphone in 2011, and her experience as a photographer ensures each camera and lens gets a thorough real-world test for a variety of applications.
Kimberley has reviewed the Sony A7R V, Sony A7 IV and OM System OM-1 Mark II in this guide.
James Artaius
James has worked professionally in the photographic industry since 2014. He has a wealth of knowledge of cameras of all makes — and a particular fondness for vintage lenses and film cameras.
James has reviewed the Nikno Z8, Canon EOS R7 and Nikon D850 in this guide.
Best cameras: Frequently asked questions
What is the best camera for image quality?
Any of the models in this guide will be a solid performer and produce beautiful images, but you can’t go wrong with the Nikon Z8, the Canon EOS R5 II or the 61 MP Sony A7R V.
What is the best DSLR camera?
The best DSLR on the market, for our money, is the Nikon D850 — an absolute demon when it comes to both speed and resolution.
What is the best camera for astrophotography?
We love the Sony A7 IV for astrophotography. It’s excellent at high ISOs and has Bright Monitoring to aid in composition, and it’s produced some of the best astro shots we’ve taken. The Nikon Z8 is also fantastic for astro thanks to its dedicated night vision mode.
Are mirrorless or DSLR cameras better?
It’s not a case of one being “better” than the other, but mirrorless cameras have newer tech, more advanced features and are consistently being improved and upgraded.
What should I look for when choosing a new camera?
That depends what level you’re at, alongside what subjects you want to photograph.
The best beginner cameras need to be user-friendly and affordable, whereas the best astrophotography cameras need to perform well in low light and the best cameras for wildlife photography need to have flawless autofocus and a fast burst rate.
What’s the best camera for beginners?
The best beginner cameras need to be affordable and easy to use, while still producing great images. We love the Nikon Z fc, Canon EOS R8 and Sony A7C II, to name a few.
What is the best cheap camera?
Anyone on a budget would do well with something like the Canon EOS RP, the Olympus OM-D-E-M10 Mark IV, or perhaps an older DSLR.
What’s the best camera for travel?
If you want a camera to take on your travels, size and weight will be a priority. A small compact camera will do the job if you want a simple point-and-shoot, but we love the Canon EOS R8 for travel as it produces beautiful images while remaining small and compact.
What’s the best camera for wildlife photography?
The best cameras for wildlife photography require a fast burst rate, first and foremost, in order to capture as many frames of a moving animal as possible. It also needs an infallible autofocus to produce sharp, in-focus images. Sony’s autofocus is the best in the business, making the Sony A7R V a tempting choice, but we think the Canon EOS R5 II is a better all-rounder for wildlife photography
How many megapixels are good for a camera?
There’s the old saying “20 is plenty,” but if you want more detail, the more megapixels, the better. The exception to this is when you’re shooting astro images, as higher resolution cameras tend to produce more noise.
Latest updates
May 30, 2025: Future updates will be logged here.
How we test the best cameras
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Testing the best cameras is a thorough process that blends real-world use with controlled technical tests. Each camera we review undergoes a minimum of two weeks of hands-on testing by our experts in a variety of environments — from bright daylight to low-light indoor scenes, including astrophotography and wildlife photography.
We evaluate image quality by analysing the sharpness, color accuracy, dynamic range and noise levels. Performance is assessed by evaluating the autofocus speed, the battery life, the intuitiveness of the controls, and how ergonomic the camera is in the hand.
Upcoming reviews
We are always testing and reviewing the best cameras to keep our guides up to date. Here are the cameras currently undergoing testing for review:
- OM System OM-3
- Canon EOS R1
- Canon EOS R50 V
- Canon PowerShot V1
- Canon EOS R5 II
